media artist-scholar
interactive website Click on the stones and listen
I was invited to make a locative media design that would encourage audience interactions with the live performance of Buffalo-
In the absence of things, our imagination is provoked; the mind fills the gap and void with new, different versions of the van
The Price of Oil (2019) is a 20-min experimental animation that recycles materials from both digital and print archives. As an
In this piece, the film is rematerialized and reworked to challenge the illusion of continuous motion. The clip is chosen from
Exaptation (II) uses generative tools (printer/scanner) and coding to create fictional landscapes through unrepeatable glitch.
This video installation consists of a black wooden box with five embedded small magnifying loupes that are used to see small d
During cinematic history, experimental filmmakers pioneered a direct approach to the materiality of the film’s image in orde
The selected footage is from places that are once destroyed in wars; some of those are lost forever. The places one cannot ret
credits: Maryam Muliaee, Mani Mehrvarz on view at Center For The Arts, University at Buffalo, Nov 2017
In this piece, I reworked a video from home with the use of printer/scanner. The recycled images gradually lose their quality
This video piece was exhibited/screened at Dzyga Gallery, at Lwow, as part of the exhibition “Not I / Nie Ja” (201
sound installation & video projection (2016) “Boundaries: Transmission & Transmutation” Exhibition at Cent
Sonic Eraser was a web-based application (Processing) that allowed users to digitally scar on the canvas of the Google Street
Mapping the sites of lost places in Buffalo, NY, where the body of architecture was demolished/lost, and they now remain as em
A sound journal and a field recording project in Buffalo New York. Sounds were recorded at various sites in the city and throu
Locative media (2015) This project as a GPS-triggered mobile app design, aimed to provide a sound-walk experience in the
Shahnameh, or The Book of Kings, is assumed as a kind of portable museum and important ethno-identical/historical account
installation, shadow/light projection, drawing (2014) MWBA Galeria, Leszno © Maryam Muliaee 2019
In this project, I reworked the images/drawings of twelve lost places in Tehran. I can never visit these buildings again where
installation, shadow/light projection, drawing group exhibition “NOT I / NIE JA” BWA Contemporary Art Gallery, Kat
light projection & drawing — My drawings are some appropriations of the Lawrence Weiner’s piece in Open Air Pa
installation, drawing-sculpture (2013) Naprzecziw Galeria, Poznan © Maryam Muliaee 2019
installation, sculpture, drawing (2013) Intermedia Galeria, Poznan
paper-made objects, video projection Naprzecziw Galeria, Poznan, Poland In this installation, set up at Naprzecziw Galeria in
installation, drawing-sculpture (2013) Historical Hotel Bazar, Poznan © Maryam Muliaee 2019
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