media artist-scholar
I was invited to make a locative media design that would encourage audience interactions with the live performance of Buffalo-
In the absence of things, our imagination is provoked; the mind fills the gap and void with new, different versions of the van
The Price of Oil (2019) is a 20-min experimental animation that recycles materials from both digital and print archives. As an
In this piece, the film is rematerialized and reworked to challenge the illusion of continuous motion. The clip is chosen from
Exaptation (II) uses generative tools (printer/scanner) and coding to create fictional landscapes through unrepeatable glitch.
During cinematic history, experimental filmmakers pioneered a direct approach to the materiality of the film’s image in orde
The selected footage is from places that are once destroyed in wars; some of those are lost forever. The places one cannot ret
credits: Maryam Muliaee, Mani Mehrvarz on view at Center For The Arts, University at Buffalo, Nov 2017
In this piece, I reworked a video from home with the use of printer/scanner. The recycled images gradually lose their quality
sound installation & video projection (2016) “Boundaries: Transmission & Transmutation” Exhibition at Cent
paper-made objects, video projection Naprzecziw Galeria, Poznan, Poland In this installation, set up at Naprzecziw Galeria in