media artist-scholar
The Price of Oil (2019) is a 20-min experimental animation that recycles materials from both digital and print archives. As an
In this piece, the film is rematerialized and reworked to challenge the illusion of continuous motion. The clip is chosen from
Exaptation (II) uses generative tools (printer/scanner) and coding to create fictional landscapes through unrepeatable glitch.
During cinematic history, experimental filmmakers pioneered a direct approach to the materiality of the film’s image in orde
The selected footage is from places that are once destroyed in wars; some of those are lost forever. The places one cannot ret
In this piece, I reworked a video from home with the use of printer/scanner. The recycled images gradually lose their quality